This is one slammin´group(...) And this kind of pleasing stylistic mix ­
raunchy out sections held together by dark-hued melodies and killer grooves-
is what makes this band explode.

Jason Bivins, Signal To Noise

______

This is stimulating music, both in challenging expectations and meeting
head-on the complicated process of creation-interpretation.

Alan Jones, CODA Magazine ­ who ranked the album to the Top Tens of 2002 in CODA

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Exploding Customer is constantly exiting

Ken Waxman, Jazz Weekly

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With intensity, force and determination, this quartet fromSweden are on a
mission of extreme possibilties(...) Always challenging, cutting, biting and
shear explosiveness, their sound is one of the most mindtwisting challenges
you will ever experience.

Randy Elligott, Jazzreview.com

______

A Spine-tingling example of Jazz that embraces freedom and focussed
emotional content

Paul Donnelly, ejazznews

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At  second listen this stands as one of the most refreshing recordings of
the past couple of  years. A wonderfully perverse diversity haunts the
album.

Michael Schaumann

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 This is incredibly hot; (...) it sounds as fresh as the first time I heard
Ornette­ This album fucking SMOKES­ ''...one of the jazz albums of the year''
­ One of the very best ''post-Ornette'' discs I´ve ever heard.

different voices on Jazzcorner´s Speakeasy during 2003 and 2004

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"Sparkling vital avant jazz"

Norrköpings Tidning

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 Their brand of post-bop meets the freedom of Fire Music without indulging
in its excesses -(...), "Küchens writing keeps things on the threshold of
chaos, melodies constantly threatened by the creative soloing, rhythm often
on the verge of being overturned.

Francois Couture, All Music Guide

______

Martin Küchens many horns are a breath of fresh air, bass and drums are an
infectious driving force for much of the disc. Great disc, like anarchy
within the tradition of another tradition within tradition. One of my
favorite discs this year.

Joe Christmas, Jazz Corner

______

The discs big surprise is trumpet player Tomas Hallonsten

Orkester Journalen Sweden

______

The friendly fire is impressive(,,,) Küchen is obviously the mad genius
here. Switching between alto, tenor and soprano(yikes!) saxophones, he keeps
the proceedings lively and engaging and it will certainly be interesting to
see where this group goes from here.

Jason Ferguson, Orlando Weekly

______

The four members create a powerful communion, and at the same time each
player holds individual standards of very high class.

Puls, Norway